Western music is based on a small assortment of essential instruments, and the violin is one of them. It has been used in some form for more than one thousand years and is a common component of the most famous pieces of music. Its sound is known to a vast group of listeners. Those trying to learn how to play it should appreciate the importance of using the optimum technique, both in how to hold a violin correctly and in the actual production of the notes.
The violin was previously used in classical or orchestral music, and some may feel that it is restricted to that style. However, it has been deployed in contemporary popular music, with the sensational modern musician Vanessa Mae one of its prime examples. Although she sometimes uses an electric instrument, other current musicians may make use of the conventional wooden one.
It makes a good choice of instrument because it is relatively small and therefore easy to transport and pick up. Playing for prolonged periods is thus possible for children or physically diminutive people. It also has a very long lifespan, as is seen in the most prestigious brand, the Stradivarius. These violins were constructed more than 200 years ago, yet they are still the most expensive and respected make in the music sphere.
Holding a violin is the first part of its playing technique that should be mastered. There are two reasons for this. The first applies to any instrument, and is that the repeated motions of playing will lead to strains and injuries if the nature of those motions is not as it should be. The second reason concerns the quality of playing. Using the wrong technique makes it harder or even impossible to play the music correctly. The violin does not have any indication on its neck as to where the fingers should be placed in creating different notes, so a faulty playing position will make that process a lot more difficult.
The violinist holds the instrument in their left hand, with its body positioned on their collarbone. The shoulder and jaw are then used to secure it there. The left hand traverses the neck, its fingers pressing down on the strings as the music requires. This is not a position that people may experience as natural or obvious at first, so proper supervision and practice are necessary to perfect it.
A common mistake is to push down too hard with the jaw in an attempt to stop the instrument from slipping off the collarbone. People may also grip the neck too tightly. It is important to remember that, during playing, the instrument alternates between the jaw, shoulder and left hand in the distribution of its weight. Excessive pressure is a poor tactic and should not be persisted with.
Some violinists use a shoulderpad to assist in the stability of their playing position. The shoulderpad should not be too thick, or else it will cause an unnatural position for the instrument. It should also be made of a suitable material, one which provides enough traction for the varnished wood to rest on safely. As a rule of thumb, the broader the player's shoulder, the smaller the pad can be.
It is not negotiable that musicians should develop the correct technique in holding and playing their instruments. If they acquire an undesirable playing habit, it may be extremely difficult to unlearn later. The person may not even be able to play some music if they do not use the approved technique. Practising the correct methods is a long-term investment that is made towards maximising the satisfaction that the instrument can provide.
The violin was previously used in classical or orchestral music, and some may feel that it is restricted to that style. However, it has been deployed in contemporary popular music, with the sensational modern musician Vanessa Mae one of its prime examples. Although she sometimes uses an electric instrument, other current musicians may make use of the conventional wooden one.
It makes a good choice of instrument because it is relatively small and therefore easy to transport and pick up. Playing for prolonged periods is thus possible for children or physically diminutive people. It also has a very long lifespan, as is seen in the most prestigious brand, the Stradivarius. These violins were constructed more than 200 years ago, yet they are still the most expensive and respected make in the music sphere.
Holding a violin is the first part of its playing technique that should be mastered. There are two reasons for this. The first applies to any instrument, and is that the repeated motions of playing will lead to strains and injuries if the nature of those motions is not as it should be. The second reason concerns the quality of playing. Using the wrong technique makes it harder or even impossible to play the music correctly. The violin does not have any indication on its neck as to where the fingers should be placed in creating different notes, so a faulty playing position will make that process a lot more difficult.
The violinist holds the instrument in their left hand, with its body positioned on their collarbone. The shoulder and jaw are then used to secure it there. The left hand traverses the neck, its fingers pressing down on the strings as the music requires. This is not a position that people may experience as natural or obvious at first, so proper supervision and practice are necessary to perfect it.
A common mistake is to push down too hard with the jaw in an attempt to stop the instrument from slipping off the collarbone. People may also grip the neck too tightly. It is important to remember that, during playing, the instrument alternates between the jaw, shoulder and left hand in the distribution of its weight. Excessive pressure is a poor tactic and should not be persisted with.
Some violinists use a shoulderpad to assist in the stability of their playing position. The shoulderpad should not be too thick, or else it will cause an unnatural position for the instrument. It should also be made of a suitable material, one which provides enough traction for the varnished wood to rest on safely. As a rule of thumb, the broader the player's shoulder, the smaller the pad can be.
It is not negotiable that musicians should develop the correct technique in holding and playing their instruments. If they acquire an undesirable playing habit, it may be extremely difficult to unlearn later. The person may not even be able to play some music if they do not use the approved technique. Practising the correct methods is a long-term investment that is made towards maximising the satisfaction that the instrument can provide.
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