The psaltery has its origin in ancient Greece as a sharp-like instrument. It was originally played using fingers instead of plucking with plectrums. Psalteries vary slightly from one place of origin to the other. Some can be traced back to Europe while others were used in the medieval age. In these regions, there are slight variations in design and name.
Religious scriptures record instances where this instrument was used in translating foreign words whose meaning was unknown. This information is recorded in the books of Psalms, Samuel, Kings, Chronicles and Daniel. The idea is to offer the pitch during pronunciation so that the kings or orators get the words right.
The general design for a psaltery consists of a sound board with a number of strings attached at an angle. The sound produced depends on the tuning. It comes in a small portable size which allows it to be used in many locations. The community of origin determines how and when it is used. The pitch of sound produced varies from one instrument to the other especially depending on size.
Psaltery had a special position in the medieval age. This is explained by the fact that the instrument was a common feature in most paintings and theatrical performances. It was common to find scripted sections in manuscripts. Entertainment in palaces would not be complete without the instrument.
The 19th and 20th centuries have witnessed the birth of new design variations. The most common is the triangular shaped with a bow end where strings are attached. This has been popularized by commercialization but is yet to overshadow traditional instruments in different communities. This explains the existing variations in different regions.
The bowed psaltery is also referred to as the zither. It requires a bow to play and is a slight modification of original design. The strings are arranged in chords to allow a player to actualize any melody. The other hand strums the strings in order to accompany the bowing effect.
The modern triangular design ensures that each string extends a few centimeters more than the previous. This has allowed the chromatic design to be enhanced as well as factor in the element of sharps and flats in music. The origin determines other intricate features of the design. The violin bow has been popularized by commercialization.
Individual players adopt unique playing styles depending on the music of specialization. This has seen differences in sounds across performances. The small size allows it to be held on one hand as the player bows with the other. Additional tone comes from finger strumming.
Modern designs have their strings close together in a way that hinders strumming. Such closeness makes individual plucking a bit of a challenge unless the player decides to do it at the ends. Sound is amplified by the sound box which has strategically perforated holes for this purpose.
Individuals personalize their instruments through coloring without affecting sound production or quality. Experts in bowing can use two bows in order to achieve double stopping. The quality and pitch of produced sound depend on how tight a bow is, among other factors. The instrument produces beautiful acoustic sound.
Religious scriptures record instances where this instrument was used in translating foreign words whose meaning was unknown. This information is recorded in the books of Psalms, Samuel, Kings, Chronicles and Daniel. The idea is to offer the pitch during pronunciation so that the kings or orators get the words right.
The general design for a psaltery consists of a sound board with a number of strings attached at an angle. The sound produced depends on the tuning. It comes in a small portable size which allows it to be used in many locations. The community of origin determines how and when it is used. The pitch of sound produced varies from one instrument to the other especially depending on size.
Psaltery had a special position in the medieval age. This is explained by the fact that the instrument was a common feature in most paintings and theatrical performances. It was common to find scripted sections in manuscripts. Entertainment in palaces would not be complete without the instrument.
The 19th and 20th centuries have witnessed the birth of new design variations. The most common is the triangular shaped with a bow end where strings are attached. This has been popularized by commercialization but is yet to overshadow traditional instruments in different communities. This explains the existing variations in different regions.
The bowed psaltery is also referred to as the zither. It requires a bow to play and is a slight modification of original design. The strings are arranged in chords to allow a player to actualize any melody. The other hand strums the strings in order to accompany the bowing effect.
The modern triangular design ensures that each string extends a few centimeters more than the previous. This has allowed the chromatic design to be enhanced as well as factor in the element of sharps and flats in music. The origin determines other intricate features of the design. The violin bow has been popularized by commercialization.
Individual players adopt unique playing styles depending on the music of specialization. This has seen differences in sounds across performances. The small size allows it to be held on one hand as the player bows with the other. Additional tone comes from finger strumming.
Modern designs have their strings close together in a way that hinders strumming. Such closeness makes individual plucking a bit of a challenge unless the player decides to do it at the ends. Sound is amplified by the sound box which has strategically perforated holes for this purpose.
Individuals personalize their instruments through coloring without affecting sound production or quality. Experts in bowing can use two bows in order to achieve double stopping. The quality and pitch of produced sound depend on how tight a bow is, among other factors. The instrument produces beautiful acoustic sound.
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