How should students in film school approach the romance genre? After all, it's one of the more popular genres in various forms of media, ranging from the books we read to the movies we watch. Of course, not every creation has to be rooted in romance and I am sure that others would agree. Nonetheless, it's important to understand how the aforementioned students can tackle this genre and ensure that the best results are shown through the films they create.
Good writing is the first step towards an effective romantic plot being composed. Of course, a story can be something as simple as a boy and a girl locking eyes in some crowded environment. It's just a matter of how this is followed up that will matter the most. This can only be achieved through the best writing, which is one of the many vital components of film and what students should focus on to create the best movies that they can.
Of course, romance should not be at the forefront unless it's the genre you're focused on. Let's look at "Star Wars" as an example, since this series played up the formation of a romance between Han Solo and Princess Leia. Would the original trilogy be nearly as memorable if all we were focused on was that budding romance and not the intergalactic battles and overall action? Other genres can be incorporated and they can help to offset one genre, if this must be done.
You should also make it a point to avoid the classic tropes that exist in romance. One of my least favorites is the breakup that, eventually, leads to the two characters getting back together at the end of the film. It's been overused to such a point that it's almost surprising when a romantic comedy, for example, tends to steer in another direction. If you're going to create a film, with romance in mind, make sure that tropes like these are not set in place.
When romance is approached, with these methods set in place, it's easy to see that it can add something unique to just about any film. I am sure that most others would agree with this point, especially when you consider that just about any other genre can incorporate romance. Of course, you have to consider ideas like acting and writing as well. Nonetheless, to say that romance is unable to be incorporated into any film would be nothing short of a lie.
Good writing is the first step towards an effective romantic plot being composed. Of course, a story can be something as simple as a boy and a girl locking eyes in some crowded environment. It's just a matter of how this is followed up that will matter the most. This can only be achieved through the best writing, which is one of the many vital components of film and what students should focus on to create the best movies that they can.
Of course, romance should not be at the forefront unless it's the genre you're focused on. Let's look at "Star Wars" as an example, since this series played up the formation of a romance between Han Solo and Princess Leia. Would the original trilogy be nearly as memorable if all we were focused on was that budding romance and not the intergalactic battles and overall action? Other genres can be incorporated and they can help to offset one genre, if this must be done.
You should also make it a point to avoid the classic tropes that exist in romance. One of my least favorites is the breakup that, eventually, leads to the two characters getting back together at the end of the film. It's been overused to such a point that it's almost surprising when a romantic comedy, for example, tends to steer in another direction. If you're going to create a film, with romance in mind, make sure that tropes like these are not set in place.
When romance is approached, with these methods set in place, it's easy to see that it can add something unique to just about any film. I am sure that most others would agree with this point, especially when you consider that just about any other genre can incorporate romance. Of course, you have to consider ideas like acting and writing as well. Nonetheless, to say that romance is unable to be incorporated into any film would be nothing short of a lie.
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