With the cost of cameras and editing software reduced in recent years it has become a lot easier for student filmmakers to create their own work. However it is not just the technology that is important when creating films. Being aware of the language of film and knowing the practical aspects of filmmaking will make it easier when it comes to doing your work.
The good thing is that the tools needed to make films are now much less expensive and far more accessible than in recent years. Whereas people would previously have to buy a lot of expensive film and rent unwieldy video cameras nowadays people can use relatively cheap cameras and shoot digitally. Furthermore it is a lot easier to view and watch footage so you can avoid wasting time reshooting scenes that do not need to be reshot.
However with a bit of inventiveness and budgeting you would be surprised what you are capable of on a limited budget. How you get that budget depends on what is available in your local area. A good example of entrepreneurial inventiveness in this respect is the director Robert Rodriguez.
Therefore it is vital to study the genre you want to be a part of. In some cases your influence may come from outside the genre as well. For example when filming Citizen Kane it was said that Orson Welles watched the John Ford western Stagecoach over a hundred times in order to learn how to direct effectively.
Another good way to develop as a student filmmaker is to look beyond your course. Going on work experience at film magazines, doing extra work or being a runner on a set can allow you to get more of an idea of how the business works. Furthermore it is often an effective way of making connections that can often be useful for later projects.
It should be stated that not all students long to be Tarantino. Equally there are some who simply wish to work in film. The crucial thing for students in this case is to find extra work, runner work and anything else that allows them to develop experience.
When working on your own pieces you need to be thorough. People often make the mistake of working quickly rather than effectively. Plan your shots as much as possible and get as much coverage as possible. It is better to have too much material that you have to edit down than find you did not shoot enough and that reshoots are necessary.
In simple terms being student filmmakers does not begin and end with the course you work on. It is worth looking online to find various accredited local courses as well as more information about who runs them and how much is theory and practise. This will allow you to find the ideal school to help you develop your skills and prepare you when it comes to creating your own masterpieces.
The good thing is that the tools needed to make films are now much less expensive and far more accessible than in recent years. Whereas people would previously have to buy a lot of expensive film and rent unwieldy video cameras nowadays people can use relatively cheap cameras and shoot digitally. Furthermore it is a lot easier to view and watch footage so you can avoid wasting time reshooting scenes that do not need to be reshot.
However with a bit of inventiveness and budgeting you would be surprised what you are capable of on a limited budget. How you get that budget depends on what is available in your local area. A good example of entrepreneurial inventiveness in this respect is the director Robert Rodriguez.
Therefore it is vital to study the genre you want to be a part of. In some cases your influence may come from outside the genre as well. For example when filming Citizen Kane it was said that Orson Welles watched the John Ford western Stagecoach over a hundred times in order to learn how to direct effectively.
Another good way to develop as a student filmmaker is to look beyond your course. Going on work experience at film magazines, doing extra work or being a runner on a set can allow you to get more of an idea of how the business works. Furthermore it is often an effective way of making connections that can often be useful for later projects.
It should be stated that not all students long to be Tarantino. Equally there are some who simply wish to work in film. The crucial thing for students in this case is to find extra work, runner work and anything else that allows them to develop experience.
When working on your own pieces you need to be thorough. People often make the mistake of working quickly rather than effectively. Plan your shots as much as possible and get as much coverage as possible. It is better to have too much material that you have to edit down than find you did not shoot enough and that reshoots are necessary.
In simple terms being student filmmakers does not begin and end with the course you work on. It is worth looking online to find various accredited local courses as well as more information about who runs them and how much is theory and practise. This will allow you to find the ideal school to help you develop your skills and prepare you when it comes to creating your own masterpieces.
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